Guillermo del Toro says he spent his whole filmmaking career working toward Frankenstein. In the editing process, he showed ...
The artwork for Deep Azure, photographer is Courtney Nathan Phillip; Art Direction Studio Doug. Shakespeare’s Globe has ...
For the new film Hamnet, understanding the Bard’s homes was essential to telling the story of his family and their tragic ...
In this video, watch as I recreate a stunning Dragon Temple model using polymer clay. Inspired by the iconic Yu-Gi-Oh! series ...
It’s a brave theatregoer who attends an outdoor production at this time of year, but Shakespeare’s Globe has gone all-out on a beautiful, brand-new musical brimming with enough fun and magic to warm ...
A database of 2.75 billion buildings could help scientists to monitor urban planning, climate change, disaster risks and even ...
The Independent on MSN
Full of heart, Pinocchio at Shakespeare’s Globe is anything but wooden
Full of heart, this well-worn tale is anything but wooden - 4/5 Forget pantos, this thoughtfully staged production of the ...
Tech Xplore on MSN
Speech-to-reality system creates objects on demand using AI and robotics
Generative AI and robotics are moving us ever closer to the day when we can ask for an object and have it created within a ...
Direct-address, an old playwriting technique, has been retooled by a new crop of playwrights (Bess Wohl, Jordan Tannahill, ...
6d
Why ‘Frankenstein’ Prosthetic Designer Mike Hill Didn’t Want the Creature to “Look Like a Monster”
“I didn’t want him to look like a monster,” Hill adds.
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